The Wolf, the Lady with a Shell, Martin and the Couple, 2017

Exhibition view: Prix Marcel Duchamp, Centre Pompidou, Paris © Aurélien Mole

Installation of four sculptures borrowed from: Conservation des OEuvres d’Art Religieuses et Civiles Direction des Affaires Culturelles de la Ville de Paris (C.O.R.A.C)

Radiant Time, 2017
Brass sand cast disk with pivoting armature, 80cms diameter

Georges Chauvel, Femme au coquillage, 1934, Plaster

Plinths for borrowed sculptures: blue concrete plinth, 75 x 30 x 45

Charles Marie Félix Martin, L’Enfant Jésus, 1876, Marble

Plinths for borrowed sculptures: orange concrete plinth 60 x 60 x 45 cms

Paul Vannier, Le Couple, 1934, Plaster

Plinths for borrowed sculptures, green concrete bespoke plinth 120 x 90 x 25 cms

Charles Valton, Loup sur piste, 1895, Plaster

Plinths for borrowed sculptures, pink concrete bespoke plinth 120 x 40 x 45 cms

La Réserve, 2017
16mm black and white digitally transferred film. 8’’30 ‘, silent. Filmed in the reserves of C.O.R.A.C

Colour field wall, 2017
Moulded plaster sections, coloured plaster surface, metal supports. 10 m x 2m80